Archives for Press

    Tyler, the Creator signs TV Deal with Sony

    Tyler the Creator’s about to take over your TV screens after signing a first look deal with Sony Pictures TV. The 27-year-old rapper and his producing partner Lionel Boyce are developing projects for television and digital platforms, both scripted and unscripted, for Sony under their Bald Face Productions shingle.

    In a press release about the latest project, Sony Pictures President Jeff Frost said “To be partnering with the creative genius of Tyler, the Creator and Lionel Boyce is a dream come true for us as we’ve long been fans of their work. Tyler’s unconventional ingenuity is unparalleled, and we are excited about the prospect of what we can create together.”

    Odd Future star Tyler the Creator issued his statement on the project as well, letting us know he’s staying true to himself even as he expands on to television: ““Tacos are great with bar-b-que sauce, I’m excited.”

     

    Source:  Noa Kimia

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    London-Born Estelle pays homage to GB’s young artists

    Hit-Artist Estelle is back with her latest R&B album Lover’s Rock, reminding the industry why she’s been one of the most respected artists in the industry since her 2008 hit collab with artist Kanye West, “American Boy”. The LP was named in tribute to her home country of Britain’s own pioneered subgenre of reggae. When asked on an interview with Hypebeast Radio’s “Soundcheck” about how she’s made it so long in the industry, Estelle attributed her success to a love for what she does. “If I had any advice for younger artists, I would say: love what you’re doing, this is never going to be about the money,” she says.

    Estelle breaks us in on her main inspiration, saying that the project is a concept album that chronicles the long arc of her parents’ love story. While walking us through the project, she also educated us on the differences within the subgenres of the Caribbean and African music and pop culture.

    You can listen to Lover’s Rock now on all major streaming sites.

    Source:  Noa Kimia

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    Solange’s soon to be released album

    Solange’s latest album is set to be released any time over the next few weeks- but she wants the world to know there’s no promised date- it’ll only be released when it’s ready. On an interview with The New York Times Style Magazine, the Grammy-winning artist laid out a sneak preview of her latest masterpiece. 

    Solange wants us to know there’s no traditional set release date for a reason- perfection can not arrive at an estimated time. The artist said the album is “likely arrive into the world fully formed at some mysterious and unexpected moment, like a meteor cratering into the culture. But she will not be rushed.”

    But the artist didn’t leave us completely blind as to what we should get excited for. “There is a lot of jazz at the core,” the singer says. “But with electronic and hip-hop drum and bass because I want it to bang and make your trunk rattle.” Solang previewed to us earlier this year that she’s been working with producer Steve Lacy, a member of The Internet who has also collaborated with Kendrick Lamar.

     

    Source: Noa Kimia

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    Travis Scott Releases Astroworld Mask

    Travis Scott just released an exclusive golden head mask onto his webstore, styled after the golden head on the cover of his top-selling album Astroworld. In addition, Scott also dropped the deluxe edition of the album onto the site, allowing his fans to fully emerse themselves into Astroworld.

    The mask is silicon and attached with an elastic band, and retails for $50. The deluxe album is not listed with an expanded tracklist, but it does come on a CD encased in an “eight inch tall molded plastic replica” of the Scott head. Both Travis Scott’s deluxe Astroworld album and mask are available now online and are priced at $95 and $50 separately. 

     

    Source: Noa Kimia

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    Fendi Mania’s Star Studded NYC Launch

    This past Milan Fashion Week, Fendi previewed a streetwear-inspired collab with sportswear imprint FILA, allowing the high fashion luxury brand to be more wearable in major fashion capitals such as NYC and LA. The collection is built up of all the classic essentials for day to day: T-shirts, fleece tops, free-flowing gowns, puffer coats, track jackets, embroidered trousers, footwear, bags and more all while incorporating Fendi’s iconic “FF” logo fused with FILA’s classic emblems. 

    So it’s no surprise that the recent launch in NYC gathered star-studded attendees such as Ansel Elgort and Winnie Harlow. “They’ve covered everything in this collection, so I think there’s something for everyone. My favorite piece right now—the baguette is literally so, so cute. It’s the perfect size and I’ve worn it with a million different outfits.” said Harlow, styling the collection from head to toe. 

    Loyal fans of the brand can take an exclusive look themselves at the #FendiMania Pop up At Bergdorf Goodman on Fifth Ave through to October 31st. They can expect a sneak preview at an innovative collection featuring amped-up logos, all over patterns, bold color combinations and FENDI/FILA by Reilly graphics. 

    Fendi/Fila Collab

     

    Source: Noa Kimia

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    Highlights of the 2018 BET Hip Hop Awards

    Already noted as one of the best BET Hip Hop Awards of all time, last night’s awards ceremony not only showcased some of music’s biggest current talents, it also allowed a platform for emerging artists and cyphers to get the attention they’d been craving for throughout their developing careers.

    Lil Pump kicked off the show by performing his top chart hit, “Gucci Gang,” followed by notable performances by current leading forces in the Hip Hop Industry such as A$AP Rocky, Cardi B, and Taylor Benett.

    Lil Wayne accepted the “I am Hip Hop” award, being recognized by the industry as “the definition of Hip Hop in all aspects.” Lil Wayne gave an emotional tribute upon accepting the award, sharing his near-death experience and how it redefined love and legacy in his life. He thanked his fans, his family (his daughter, Reginae Carter, and mother, Jacida Carter, were both at his side), and his steadfast supporters (“the people who refuse” to stop supporting him, even after his years of drug issues and his lack of new material over the past near-decade). Most importantly, he thanked a former New Orleans homicide detective he called Uncle Bob, who saved his life from a suicide attempt. Holding his award, Wayne again thanked his friends, his family, and Uncle Bob, and promised to his fans and loved ones that he’ll continue to hold on. “To my fans, to my family, to my supporters, to Uncle Bob, to BET, I refuse to stop. Thank you.”

    Cardi B took over when she performed “Get Up to 10” and “Backin it Up” with Pardison Fontaine, letting the crowd know exactly why she’s winning. Cardi B won four BET awards last night for MVP of the Year, Best Feature Verse for “MotorSport,” Made You Look Award (Best Hip-Hop Freestyle), and Hustler of the Year. “I’m thankful and I’m grateful,” she said.

    Lil Duval closed the show with Ball Greezy and Shiggy while showing the crowd how to live their best lives with his top chart track, “Living my Best Life”. The comedian-turned-hip hop artist let the crowd know he’s far from done- with promises of a record in the upcoming future.

     

    Source: Noa Kimia

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    Beyonce and Jay Z’s lasting impact to City of Cancer Charity Event

    If any couple is capable of raising over 6 million dollars for a good cause, it’s Jay Z and Beyonce. Having completed their On the Run II tour just over a week prior to the event, the couple quickly shifted forces to something they’ve been known to value at large in the past, charity.

    This past Thursday night, music’s billion-dollar couple combined forces to perform at City of Hope’s Charity Gala in support of their longtime friend, Warner/Chappell Publishing CEO and Chairman Jon Platt. The couple presented Platt with the “Spirit of Life” award, where Jay Z referred to Platt as “the Obama of the music industry,” leading a growing wave of activism and social consciousness in music. “I can’t think of anyone more deserving of this award than my brother, Jon Platt,” Jay Z said as he presented the award to the event’s star-studded audience. “He’s known as ‘Big Jon’ and he has a beautiful soul.”

    City of Hope is a treatment center for cancer, diabetes and other life-threatening diseases as the Music, Film, and Entertainment Industry Group has raised more than $118 million in 45 years. The award is the group’s highest honor recognizing those that have helped further music, film, and entertainment. Previous Spirit of Life award recipients include Quincy Jones, Clive Davis, Irving Azoff and Mo Ostin.

    Platt made sure to note the lasting impact that the attendance and performances of his longtime friends made on the event and, on a larger note, for the cause. “I left my last thank you to Beyonce. I’m so lucky to work with someone that inspires me the way she does. I’m so lucky to work with someone that every time I walk away from her I say to myself, “I gotta work harder,'” he said. “On her recent tour with Jay that just concluded, as I watched audience after audience lose their mind, my thought went to her journey. And I was reminded that even when you’re the biggest talent in the world it still comes down to hard work. You see, she leads by example.”

    Source: Noa Kimia

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    Kerby Jean-Raymond Is Expanding the Fashion Canon

    You’re one of the most prominent independent black designers in the fashion industry, yet you’re regularly sidelined as “urban” or “streetwear.” What do you think of those words to describe certain kinds of fashion — in particular, fashion worn by black people? I think that people have gotten a lot more creative with saying the N-word. People don’t want the language used to describe me to be the same language that describes them, because that would make us equals, and they don’t want that. Alexander Wang and I basically designed the same jacket, and his will always be considered men’s ready-to-wear and mine would have been called streetwear had I not spoken out. I was using the same fabrication, the same factory, the same models. But it’s not a fight that I’m going to win, because this is not an optics thing — this is an emotional resistance.

    Your most recent collection, “American, Also: Lesson 2,” debuted during New York Fashion Week. It featured a swag-surfing gospel choir and was presented in Weeksville, one of the first free black communities formed in the 1830s in Brooklyn. What were your goals with the show? “Lesson 2” is about mundane African-American life and what that looks like. What these collections really aim to do is to shift the narrative that’s constantly being told about what it means to be and look and act black. Equality starts with humanization. We talk about ourselves in such an extraordinary or tragic way that it dehumanizes us, so I’m trying to reverse that.

     

    Jean-Raymond is the founder and creative director of the label Pyer Moss.

    Age: 31

    Occupation: Fashion designer

    Hometown: Brooklyn

    14: The number of black designers who showed collections at New York Fashion Week in February 2018, out of 162.

    When Issa Rae hosted the Council of Fashion Designers of America Awards earlier this year, in an outfit of your creation, she joked, “I’m about as fashionable as Kanye is black — only when it’s convenient.” What do you think about him at the moment? I bought every Kanye West album ever sold. I watched every single video of his multiple times. I dressed like him, had the collar flipped up, everything. We hold him to being the person he was in 2004, and now we have to understand that this is a different person. He might really believe this [expletive]. But he’s a superstar, and he’s still in charge of the youth culture right now. So he has to be very careful about what he co-signs because, like it or not, he is a role model.

    This year, you’re collaborating with the renowned ’90s labels FUBU and Cross Colours. Do you see yourself as trying to create a canon of black designers? Every time American designers are brought up, they say the same four or five names: Donna Karan, Tommy Hilfiger, Ralph Lauren, Calvin Klein. They always omit Cross Colours and FUBU, as if these brands weren’t grossing a quarter-billion to over a billion dollars a year. They were never given credit for being as influential as they are. Now that I’m one of the American designers who represents African-American culture, I want to help them reverse their erasure.

    The fashion industry is famously apolitical, and you lost an account early in your career because of a show that featured footage of police killings. Where do you think the line is between activism and fashion? I think there’s a creative license that allows me to do both with ease, because there was no guide before me.

    The new fashion vanguard is seeing more people of color and different genders and body types on the runway. Do you feel part of that? I don’t want to sound narcissistic at all, but I do believe that I am one of the thought leaders that have emerged in the past five years. Every industry had a person that led the march to modernizing the understanding of what black life is: In music, it was Solange. In television, it was “Insecure.” In sports, it was Colin Kaepernick and Serena Williams. And in fashion, I don’t think there is another me. I take my position — as the one to start this — very seriously, because although sometimes I just want to be a young kid with money and act stupid, I have to understand that my impact is probably going to outlive me.

     

    Source: The New York Times Magazine

    Interview by Thessaly La Force

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    Committed to reclaiming the legacy of the black and brown designers, Jean-Raymond partnered with FUBU The Collection for New York Fashion Week.

    Kerby Jean-Raymond of Pyer Moss isn’t the first designer to decamp to Brooklyn—Eckhaus Latta have been showing in trendy Bushwick for the past few seasons—but he might be the first to bring Fashion Week to Weeksville. The neighborhood has a particularly rich and special history. Founded by James Weeks, an African-American man, in 1838, little over a decade after slavery was abolished in New York, it became one of the country’s first free-black communitiesKerby Jean-Raymond of Pyer Moss isn’t the first designer to decamp to Brooklyn—Eckhaus Latta have been showing in trendy Bushwick for the past few seasons—but he might be the first to bring Fashion Week to Weeksville.

    The neighborhood has a particularly rich and special history. Founded by James Weeks, an African-American man, in 1838, little over a decade after slavery was abolished in New York, it became one of the country’s first free-black communities. The Pyer Moss show took place in the grounds of the Weeksville Heritage Center, where four extant houses formed the backdrop. Moments before the lights when up on the runway, a gospel choir dressed in all white lined up on the grassy lawn. The resulting tableau was like something out of a Kerry James Marshall painting, conjuring serenity and joy despite the heavy gray rain clouds overhead.

    Jean-Raymond had been pondering the current landscape of African-American life while making of this collection. He came across a copy of The Negro Motorist Green Book in his research, a guidebook first published in the 1930s that served as a tool for black travelers in Jim Crow–era America, signposting restaurants and hotels that were relative safe zones from discrimination and establishments to avoid. “It got me starting to imagine what the African-American experience would look like without the constant threat of racism,” said the designer. He enlisted rising art star Derrick Adams to help bring his vision to life, commissioning 10 paintings that were woven throughout the collection. There was a painterly image of a young black man grilling burgers printed on a simple white T-shirt, and a black page boy and flower girl at a wedding on an oversized silk shirt. Easily the most touching portrait in the bunch, and perhaps the most exquisite piece in the collection overall, was a black father lovingly cradling his baby, rendered in glittering beads on a shift dress. “Just black people doing normal things,” was how Jean-Raymond put it.
    In a moment when even the most ordinary aspects of black life seem under constant threat—when a black man or woman innocently barbecuing in their own backyard has been known to elicit an armed police response—these clothes presented a radical counterpoint to a narrative of sensationalism and tragedy porn, speaking volumes more than a political slogan tee.

    Jean-Raymond is as committed to reclaiming the legacy of the black and brown designers who came before him as he is to making a name for himself. Last season it was Cross Colours. This season, 1990s streetwear label FUBU, or For Us By Us, partnered on a capsule. “We wanted to highlight designers that weren’t seen,” said Jean-Raymond. “These companies grossed hundreds of millions in their prime, but weren’t recognized in the same way that brands like Donna Karan were because they were considered urban, not fashion.”

    Jean-Raymond unveiled his first collection for Reebok last season, and the partnership has been pivotal to his brand’s expansion—many of his former interns are now full-time paid members of his team. The new white and pink quilted sneaker booties he’s created for the second installment of the Reebok partnership are likely to take his business another step forward, too; ditto the graphic ponchos and tracksuits. All in all, cause for celebration—in this case, a friends and family cookout in the backyard of the clapboard Weeksville homes that took place immediately after the show. Just black people doing normal things.

    Jean-Raymond of Pyer Moss show cased FUBU The Collection in his Spring 2019 Review at New York Fashion week.. Click here to see Pyer Moss complete 2019 Spring Review. 

     

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    Hurricane Florence’s Flooding Could Trigger Public Health Emergency from Toxic Sludge, Pig Manure

    Hurricane Florence could trigger a major public health emergency in North Carolina if flooding causes toxic materials from hog manure pits, coal ash dumps and other industrial sites to be washed into the state’s drinking supply water, the Associated Press reports.

    North Carolina is home to about 2,300 pork farms with 9 million hogs. There are also dozens of coal ash dumps. If the pits of waste from hogs and the coal ash were to overflow from flooding, toxic lagoons could be created.

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